Mastering Texture Photography
by Amy Renfrey
There is very much to find out in taking pictures. Not only do we require to master our digital camera but we must appreciate how lighting manifests as a photo. We need to realize how light works in photography for the reason that we can exercise this education to photograph beautiful images. Stunning images refers to clarity, depth, colour and tone.
A great way to turn out to be expert in photography is to start photographing various surfaces of different things. Different textures may include wood, steel, leaves and brick. These subjects can really draw attention to depth and an interesting light very rapidly and without difficulty. We can learn a lot from shooting these textures. Once we get the right light to emphasize these textures our images unexpectedly have intensity and come to life. You can prove these textures a variety of ways. I suggest photographing these fascinating textures with well-balanced light spread evenly right through your photograph. If you are unable to get well-balanced light then shadows may work to an advantage.
A very effective photo that has appealing textures are dead leaves drapped over a wooden exterior. You can stay until the sunlight has gone down in the sky to get some shadow areas below the leaves. You will find that your shadow will become part your placement of subjects within the photo. What this means is that shadows can work to your advantage.
A country appearance and feel is a terrific place to start. Photographing old wooden fence posts with nails and old wires can certainly bring wood as a texture to life. You see what we want is photograph the wood and the nails look so they look genuine. In other words make it stand out by improving the depth of the photo. We want the viewer to feel like they can reach out and touch the quality.
In order to create this reality in your photos you need to construct a small list of things to photograph. The fence line and rusty nails are a good starting point. You may also like to take photos of differences in textures such as metal and wood. A steel band wrapped over a wood fence can make for a wonderful picture. A distinction in textures such as this can be shot in an antique tone and monochrome for extra drama and interest. They can also be shot in a selection of other tones that you can invent yourself in Photoshop or Lightroom.
What is a tone? A tone is related to light and colour. Saturdated colour, deep tones mean that your shoot may have a lot of black and grey tone, dark yellow and deep orange to it. Light tones may mean that your photograph has lots of colors of pale colours. In rural photography, where we want to photograph magnificent different textures, we often find that deep tones are a feature.
Deep tones can accentuate the shadow. In order for your photographs to look like they have real live texture then we need to draw attention to the intensity and light range contained within your shot. You may decide on a deep or dark tone to give that nail more rust or that metallic band around the wood more brightness.
When we use a higher differences in contrast in our pastoral photos we get a superior looking surface. This is for the reason that the a distinction in the light brings up the detail of the surface of the textured subject. The light acts to bring out the finer details in the lighter parts and deepen the shadow in the dark areas.
A means to creating thriving textured subjects is to keep your composition uncomplicated. Natural textures, such as foliage and timber, work most ideal when there is nothing to muddle the scene. Simply shoot the main subject and make sure there are no distracting things in the environment or the forefront. Once you've taken this you can work to raise the contrast, perfect the light and intensify the tones. There is nothing more distracting than a messy photograph.
Old abandoned vehicles are an example of how you can capture wonderful textures in your photography. When my spouse and I were traveling to a country town we accidently came across an long forgotten abandoned utility. This automobile was from either the 1940s or the Fifties. It looked like it had been left for years and years. As soon as I saw this car I got very excited. The minute I saw it I knew I wanted a antique looking photo.
I knew that the steel, rust and washed out paint would look completely fantastic in monochrome. Once I took a sequence of pictures of the old utility I then opened the photo in Lightroom. I boosted the whites and highlights, boosted the blacks, and experimented with the tone curve. What does this suggest? It simply states that I manipulated the tone of the shot to bring out the attractive factors of the car. I wanted to increase the illuiminent metal against a muted, natural background. Once you modify the lighting all of a sudden your different textures come alive.
Based on how you want your different textures to appear, you can utilise bright or dull light. Filtered luminosity is always best because it offers us additional choices in the long term. Bright light can create highlights and shadows that highlight contrast. This can really work to your benefit.
Filtered light can work very well for textures because it accentuates the detail. it can give your texture a more three dimensional look. If you are photographing an old fence post then the deficiency of sunlight will bring out the detail of the timber. You will get to see the patterns, outline and shapes of your texture a lot more in subdued light. In harsh bright light you may lose these fine points completely.
If you want to create stunning textures and not worry about the tiny finer details, then a country scene with high contrast may work beautifully. A fence line surrounded by dense grass can be a superb textured photograph to begin with. Once you angle the camera so that the fence post line is running into the distance you not only have beautiful textures but you have great composition.
There are a lot more things you can do to accentuate your different textures. There is a cell phone app called Instagram. It has recently joined forces with Lightroom. This is a marvellous thing! Instagram is an app that produces antique, sepia, black-and-white and the whole other diversity of tones for your photographs.
Instagram gives you the variety of antique tones. In other words if you use an antique tone over your photo it looks like it was photographed in 1977. Once Instagram meets Lightroom, you have the option of producing a unique look and feel over your photos with rustic and interesting textures.
Instagram also offers you the choice of various borders. You can have a stark black border to put emphasis on the de-saturated tones in a photo of dried golden leaves. Or, you can have a smooth ivory border to match the muted tones of a photo of a car park. Or you might have no border at all.
Remember that creating different textures is easy. Once you have photographed it then the pleasure begins. Make sure that you choose contrasting things like dead plants or metal. Shoot them at once. Then try turning the contrast and lighting of the image once you open it up in your favourite photo editing program.
I recommend that you let inspiration and curiosity be your guides. Open up your shot in your favourite editing program and try a variety of various things. Boost the contrast, decrease the yellow, reduce the blue, modify the white balance etc. These are just illustrations of things that I attempted when I was learning how to enhance my textures in my photos. I got to a place where I knew what I loved and designed many different alternatives for myself.
These different selections I designed gave my images a look and feel that I loved. Some were seriously saturated in deep yellows and oranges. Some were light sepia, and some were a very sharp contrast in the black and white medium. These tones, applied over rural things, made my textures look amazing. Rusty fences took on a strong presence. Shiny metal bands wound securely over timber fence posts seemed appealing and from the past. Hanging metal chimes looked classic and ageless.
Just think about surface and light first. Then your editing comes later. Think about the lighting and how it forms a relationship with with your environment to highlight textures. Think about how light acts and makes things look different at different times of the day. Photograph various natural and man-made physical surfaces jointly. This will let you to discover contrast within your textures. The exploration of light will allow you to bring out the power and the finer details within the photograph. Then apply some simple editing. This will enable you to alter the tone. Adjusting the colour and light gives you the chance to create some extraordinarily inspiring shots.
This is an exercise in artistic pursuit. This is not about winning first place in a photo competition or being better than anyone else. This is about how this makes you feel. You can enlighten people later on but first learn to interpret your light on how it plays upon the textures in your surroundings. Once you've shot this you can capture extraordinary textured pictures. Have fun and happy shooting!
Amy Renfrey is a professional photography teacher. She shows you how to take stunning photos every single time, even if you have never used a digital camera before. To discover <a href='http://digitalphotographysuccess.com/focusezineSub1.htm'>how to photograph textures</a> visit her website today.
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New Unique Article!
Title: Mastering Texture Photography
Author: Amy Renfrey
Email: info@digitalphotographysuccess.com
Keywords: photographing textures,texture photography,black and white photography tips,how to take photos in black and white,learning digital photography,how to do photography
Word Count: 1609
Category: Hobbies
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